Conclusions

This is the second charcoal portrait I have attempted almost predominantly with a brush, and I've found this method of approach not only so much cleaner on the hands, but the juicier thickness, and texture of strokes allows for rapid sketchwork and fine parallel lines that would be far more difficult and time consuming to attempt any other way.

There's some guess work in how wet to soak your brush before dipping it into the charcoal powder, but such guesstimations resolve themselves after a few strokes. When the brush dries the tone lightens, and you can create some interesting dry brush techniques.

I believe the same techniques applied to a more time consuming drawing, could yield in some excellent results - I hope to try it soon, and I hope I've inspired a few of you just enough to try your hand with these methods. A brush in your hand may feel very foreign and can be the difference between using chopsticks and a knife and fork. Some people will pick it up quicker than others, but with a little practice, anybody can easily wield a brush.